Tag Archives: Ginger Burrell

Empty – An Artists’ Book About Infertility

Like many women, I struggle with infertility. And, like many artists, I make art about those topics which are the hardest, and the most important, to explore. For my BFA show last year I made a series of women’s figures and artists’ books titled, “Always Reborn.” The show explored issues particular to women’s experiences including infertility, family, love, and violence against women.

The books that I made for the show have been shown in galleries since then, but I realized that they weren’t quite yet in their final form. The wax covers were not realistic for handling and there were small changes that I needed to make to bring the book into the full focus of my original vision. Whereas I originally started with the women’s form and then added the book, I realized the book was all that is needed, the form became secondary.

I’ve been working on the final versions and am finally ready to release them into the world. Empty is one in a series of four books: Empty, I’m Telling You NowLoves Me/Not and Family Circle.

Empty explores infertility using the universal display of family photos. As my mother, my grandmother, and many mothers have before me, I imagined a display on the mantel of photos of my children: baby photos, first-day-of-school photos, graduation and wedding photos. Empty displays the frames sans photos. The lullabies I’ve hummed countless times to imaginary children weave through the book in a faded, almost transparent soundtrack.

Edition of 10, archival inkjet printed on Rives BFK.

~Ginger

www.gingerburrell.com

Making Artists’ Books with Polymer Clay – A New Class at Palo Alto Art Center

I’ve been fascinated by the possible uses of polymer clay in artists books since I first used it for the jesters hat on my artists’ book King George.

My next use of polymer clay was as candy piece covers for my artists’ book Love/Chocolate:

Now, in preparation for teaching a class through Palo Alto Art Center, I’ve made sample books with polymer clay covers, decorative medallions and entire books made only from polymer clay. I’ve found it to be a flexible and interesting medium and one that allows me to create almost anything I can imagine for artists’ books.

The first book, Tropical Dreams, has a polymer clay medallion mounted on the cover of an accordion book. The clay medallion was made using a series of fondant (like for cake icing) molds and then glazed with a satin glaze after baking.

The second book, Lace Journal, was made by debossing the lace pattern into the clay using a pasta press and then emphasizing the pattern with fluid chalks. The polymer clay panels are then glued onto a pamphlet stitched book made of Rives BFK.

The last book, Tea at Grandmother’s,  is made entirely of polymer clay panels. After marbling two colors of purple with some green clay, I cut out 6 panels and baked them. I stamped the black images onto the clay using Staz-On ink and baked the panels again. To make the images part of the panels I painted them with liquid clay, which turned translucent after a third baking. Finally, I cut black panels the same size as the original marbled panels and embedded, between the sets of panels, two black ribbons the length of the book. The black ribbon acts as hinges for the finished accordion and went through the final baking process just fine.

There are so many more techniques to play with, I can hardly wait! I think a 5 week class is going to fly by and leave us wanting more time to play with the clay. If you’re interested, the 5-week class runs on Wednesdays from July 6th to August 3rd, you can sign up for the class through Palo Alto Art Center by going to their website: http://enjoyonline.cityofpaloalto.org/Activities/ActivitiesDetails.asp?ProcessWait=N&aid=16471 or by calling 650-463-4900.

~Ginger

www.gingerburrell.com

One Second of Time – A New Artists’ Book by Ginger Burrell

I am obsessed with earthquakes, or at least if you hear my husband tell it you would think so. I prefer to think of it as a healthy caution concerning a seemingly random natural event. Some of my earliest memories are of earthquakes – which makes sense since I’ve lived in California most of my life and, through some twist of fate, I’ve often been close to the epicenter.

When I am in a big warehouse store – Costco, Lowes, Home Depot – you know the kind with the miles of stock stacked above your head? – I think about earthquakes. When I walk across a parking structure – the kind that pancaked during the Northridge quake – I think about earthquakes. When I am on vacation – away from California – I think about earthquakes. Okay, perhaps I am a bit obsessed.

This book began as an expression of my hyperawareness. I created monoprints with jagged edges and a sense of motion and then combined them in Photoshop with found, public domain, images of earthquake damage. I then wrote poems to express my thoughts about earthquakes. 

One Second of Time, an accordion book, is irregularly folded so that from above it alludes to the seismogram. The poetry is also written and presented in seismograph form. The book is printed on Rives BFK with archival inkjet printing. The font is Chiller. The cover paper, meant to evoke layers of sedimentary earth, is Pirouette Marbled Paper in black, gold and silver. One Second of Time is an edition of 10.

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The title, One Second of Time, comes from a quote by Charles Darwin in 1839. “A bad earthquake at once destroys the oldest associations: the world, the very emblem of all that is solid, has moved beneath our feet like a crust over a fluid; one second of time has conveyed to the mind a strange idea of insecurity, which hours of reflection would never have created.”

If you would like to look at larger versions of the photographs in the slideshow, you can click on these images, here:

Your comments are appreciated.

~Ginger

www.gingerburrell.com