Category Archives: Handmade Books

The Joy of Raw Materials: Bookcloth

When I was a little girl my mother sewed. She made me lovely little halter dresses for summer and pretty, fancy, dresses for the holidays. I remember going to the fabric store and helping her choose fabrics. Oh, how I loved the fabric store! Aisles and aisles of color, pattern, texture and spools of ribbon, lace and buttons – what is it about buttons?

Fast forward to seventh grade and an elective class appropriately named, “Beginning Sewing.” I discovered in this class that I did not inherit my mother’s ability to sew amazing garments from sketches and ideas. In fact, even with a carefully followed pattern and a lot of hand-holding, my efforts rarely resulted in anything resembling the picture on the pattern package.

Between seventh grade and my first handmade book were many years of sewing projects that reached a point of no return and ended up in a box. I once made a “Quilt In A Day” out of a Woman’s Day magazine and, after 14 years of partial completion and storage in a box, I finally gave it away. I never gave up though, I can’t resist fabric.

In the first book arts class that I ever took, at the San Francisco Center for the Book, we used bookcloth. A pretty and basic cloth that reminded me of library books. The instructor, Laura Russell, gave us a list of book arts suppliers including Talas and as soon as I got home I started shopping online.

The first thing I did was order a swatch book of  samples of Dover cloth, because of the broad range of colors. I was so tickled to again get to choose fabrics — but this time in a way that I could be successful!

A few orders from Talas later, I ordered the Asahi bookcloth swatches. I can’t even begin to tell you how tickled I was with this swatch book. These beautiful washed silks, slubbed fabrics and iridescent shimmering squares made my heart sing. Right away I ordered a teal silk that I used for a book I was making about my niece, Samantha’s, transition from adolescence to adulthood called Pendulum:

I recently ordered Asahi cloth in a delicious burnt orange, an intense burgundy, a lemon-lime green and more of that teal silk. Honestly, I can’t resist. If they weren’t so expensive I’d order some yardage of each just to have them in my studio. Here are the covers I made with some of those bookcloths:

And this last order? Well, I resisted the swatch book for the Genji cloth because although it is truly beautiful, at $42, $79, and $95 per square yard, it is beyond my budget. But I did splurge on the Texlifil (vibrant wildflower colors) and the Chromo (very high-tech and futuristic feeling) swatchbooks and now I’m just itching to design some books around them. In fact, I may need to change one of my current projects to the Chromo. Hmm.

Do you have a favorite book cloth? A favorite supplier?

~Ginger

www.gingerburrell.com

When Does Storing Supplies and Completed Work Get in the Way of Making New?

 

If you walk into my studio you might think that I have too much stuff and, most days, I would agree with you.  Despite a never-ending cycle of “cleaning out,” I still have too many treasures. I like keeping creative tidbits that might be useful in a future project and I love boxes, fabric, paper and memorabilia.

Most of the art-related stuff that I’ve given away has not been missed, but there is this nagging incident involving of a set of dollhouse furniture.  I kept this tiny kitchen table and four chairs for 10 years and, right after I decided I was never going to do anything with it and gave it away, I found the perfect use for it. I’m still looking for a replacement.

Most years my husband, Greg, and I go on a long driving trip of two weeks or more. Since we have a very small car we can only take so much. We always manage to fit in the art essentials, even if in the footwell: drawing tools, paper, a small lap loom, flower presses, assorted camera, video and computer equipment, and Ziploc baggies to collect found items. On one of these trips a few years ago I realized that we could go on pretty much indefinitely with only the things we had in the car. Yes, I’d have to figure out how to fit my cats in, but other than that, I wondered, why did we have all that other stuff at home? Thus began my fascination with the Minimalist movement.

Today I was reading a blog about minimalism that I like, Miss Minimalist, and the guest post by Robert Hickman had a gem of insight that made me grab a piece of paper and write down a quote for my studio wall.

Robert wrote, “I came to realise that I didn’t need everything I had ever created. My ability is in me, constantly improving. But my creations are static, quickly losing their relevance.”

Wow. Logically I know this, but for some reason reading that quote was a lightbulb moment for me.

I have a really difficult time letting to of past work and yet I know I can’t possibly store everything I’ve ever created. I’m often grateful that I’m a book artist and not a sculptor or painter of large works – artists’ books are pretty compact when closed.

What do you think? What percentage of your studio should be employed for storage of supplies and completed work? And when does storing things get in the way of creating new work?

~Ginger

www.gingerburrell.com

Tools I Can’t Live Without: The One I’m Embarrassed to Admit (to)

Remember the 1980’s when Martha Stewart was queen of all things domestic?  I sheepishly admit to being young, impressionable, and eager to emulate the perfect holiday table – even if it meant buying a whole new set of dishes.

Fast-forward to being older, hopefully wiser, free of any illusions that I will ever be Martha Stewart — and wondering why that was ever my goal. Oh, and embarrassed that one of the most useful tools in my studio has her name on it. I suppose the saving grace is that the tool isn’t pink or purple — why do companies think that women need their tools to be pink or purple?!

This nifty tool found its way into my studio when I was teaching a book arts class for photographers. One of my students, Donnasue, showed me her Scor-Pal and I was hooked. I was in the middle of making an edition of The Heaven Project  which is a post-bound book and I was scoring a lot of pages at 1.25 inches – a lot of pages! At the time I was using a quilt ruler – another favorite tool – but once I saw the Scor-Pal I had to have one.

Before I had the chance to order my own, I was trolling Michael’s with my 40% off coupon and happened upon the Martha Stewart version, the Scoring Board. And, while not thrilled that it was Martha Stewart brand, I was glad to get the board at 40% off since I was “just trying it.” I took the board to class the following week and we compared.

The Martha Stewart Scoring Board has many advantages over the Scor-Pal, the most important one being the frequency of the scoring grooves – Where the Scor-Pal grooves were 1/4″ to 1/2″ apart, the Martha Stewart board spacing is 1/8″ across the board. (Note: while researching this blog post I found that the new version of the Sc0r-Pal now has both 1/8″ and 1/4″ grooves – unfortunately still not 1/8″ uniformly across the board.)

Another advantage of the Martha Stewart board is the scoring tool itself – it is narrower and leaves a sharper crease (yet does not tear paper) than the tool with the Scor-Pal. Unfortunately neither board has grooves that really accept a standard bone folder so it is necessary to swap tools while working.

The third advantage is that the Martha Stewart board is available in local stores –  stores which usually have coupons – so not only do you not have to pay shipping, you can usually get the tool at 40-50% off.

I started to write a more in-depth review of both tools and came across a blog, Crafting with Sue, which has a great comparison of the two tools so if you want a more detailed analysis – Check it out.

I’ve been using my Scoring Board for almost two years now. I use it daily and for every possible variation of book arts structure. It saves me time and gives my books a crisp, consistent fold and makes measuring  a breeze.

Do you have a favorite scoring tool? Another tool you’re embarrassed to admit to other artists? And why do they make tools for women pink or purple?

{Update June 2018: The Martha Stewart Scoring Board has been discontinued. You can get an identical board from EK Success via Joanns.com. Scor-Pal also has a new board with 1/8″ grooves all the way across but I still wouldn’t choose it because it has a ledge on the right side that makes it difficult to use larger papers.}

~Ginger

www.gingerburrell.com