Tag Archives: www.gingerburrell.com

Lessons From Recovery

Today is  5 weeks post surgery and, as the days progress, so does my recovery. I can actually sit upright for periods of time, drive short distances and wear (almost) normal clothing. Simple pleasures I’d previously taken for granted!

I’d like to thank all of you who have sent lovely email and card greetings. I treasure the hand-stitched ribbon collage sent by Catie O’Leary (photo at the top of this post) and it made me feel wonderful to see your names in my email box. Each message felt like a hug.

I’m not quite making art yet, but I am slowly unpacking my studio, one book, one tool, at a time. I have learned several lessons during the last 5 weeks that I thought I’d share:

Lesson #1 – Inspiration can come from anywhere, even a hysterectomy:

Apparently I wasn’t done grieving, or making art about, infertility. A week after surgery I had a day of melting down and grieving for the reality that those “magic” pregnancies everyone tells you about when you are struggling to have a baby, really won’t happen now. No uterus = no magic pregnancy.  Fortunately in the middle of the sadness there was also artistic inspiration and I am now (mentally) working on two new artists’ books related to infertility. (And the goodies that my mom and dad sent to cheer me up sure helped, too! It was hard to be sad while eating chocolate covered strawberries for breakfast.)

Lesson #2 – Asking others for help is okay: 

It’s funny, but I much prefer to offer to help someone than ask for help. I’m not sure I knew that before my surgery, but I’m very aware of it now. Not being able to lift anything over 5 lbs, push or pull on anything,  or drive made me suddenly dependent on everyone around me. My brother, who spent a morning putting together a bookcase in my studio while I watched, said it best, “I’m not doing this because you did something for me – we do things for each other, that’s just how it is.” 

(A momentary pause for more thank yous: to Nicole and Mrs. B – thank you for the lovely meals, we hated to admit that I can cook again; to Melanie and Wendy, thank you for playing chauffeur and doing “normal” things like going out to lunch and shopping; to my mom and Trish, thank you for the daily chats; to my brother – thank you – you made me feel better every time I saw you. Who knew that the person I wanted to clobber most of my childhood would be one of my favorite people now?; and to my beloved husband, Greg – I don’t even know where to begin. THT.)

Lesson # 3 – It is all a matter of perspective:

Before my surgery I was packing, moving and unpacking for hours at a time. I made art for 12 hour stretches. Now working for 15 minutes and resting for 45 seems like an accomplishment! I’m unpacking my studio one book and one tool at a time and when I unpack 3 boxes in a day I feel like I’ve really made progress. I just hope I can carry this patience and sense of accomplishment back into my art making.

Off to rest and then spend 15 minutes in the studio.

~Ginger

www.gingerburrell.com

Congratulations, it’s a Studio

Well, it took only 8 months, but the studio I’ve been dreaming of has finally been delivered. My niece, Amelia, who is 8 years old, loves it and thinks it is just the right size for her. That it has its own porch lights and doorbell just made her even more tickled. Right away she began making plans to come over and “play art” and then stay overnight in her house, aka my studio.

As I’m typing to you I am peeling wood glue off of my fingers – it doesn’t seem to matter whether I am making books or building cabinets, I have to wear the glue. Instead of bonefolders and my Kutrimmer I am using drills and screwdrivers to build the cabinets and drawer units for my studio.

My brother asked me, “Aren’t the kitchen cabinets enough? Do you need more?” Do we artists ever have enough storage? What’s funny is that Bryce, who is also a very creative person, is a packrat and rarely gets rid of anything. If anyone understands the need for storage…

This is just one of the many stacks of boxes. It turns out that I had art supplies in and tools in pretty much every room of the old house. When we were moving our stuff everyone kept commenting on how most of it was ending up out at the studio. When you put it all in one space it is a bit overwhelming. The duck – he is a wire frame model I made in 3D class several years ago. I’m not sure if he gets to stay because he’s fun or because I injured my elbow pulling and twisting all that wire. Probably both.

This is the studio bathroom. Hmm. More stuff. That’s a bag of banana tree leaves for paper making over there in the bathtub.

This is the back view behind the studio. Eventually it will be a patio surrounded by plants that can be made into paper.  Right now the only plant is one sad weed.

This is one of my favorite views, taken on the way from the house to the studio.  I’m looking forward to ending the moving and organizing phase and beginning the welcoming and working phase. Towards the end of the summer I plan to have an open studio.

Well, I’ve stalled long enough. On to the next cabinet.

~Ginger

www.gingerburrell.com

Altered Book for Marin MOCA: How to be a Lady

My entry this year for the 3rd annual Marin MOCA Altered Book and Book Arts Show is titled How to be a Lady.

I don’t usually work in altered book form so this is a nice annual challenge to think and work in a different way. This year’s entry was complicated by moving house. First I had to find the pieces of the book. (In the tenth or eleventh box I opened, of course. No Rae, I did not follow your advice and take photos of all of the box contents, silly me!) Then I had to take off my movers hat and dust off the one marked “artist.”

This altered book is really a collaboration between the original author, Candace Simpson-Giles, the creators of several vintage advertisements and the marvelous women who replied to my question, “What do you think a lady is? Do you think the term is still relevant?” I simply designed and assembled the resulting content. As my husband put it, I was the curator.

The replies that I received were so interesting I’ll post more later this week. In the meantime, here are more details about the book.

The book is a pull out accordion with sets of three pages – an original page from the book, comments from a woman about being a lady, and a vintage ad. It is re-attached inside the original book cover.

This ad, for example:

combined with text from Joanne:

I always thought a lady was someone else. It was a word that applied to other and older people, people who wore gloves and hats, for example. (Although when I was in high school, we wore gloves to dances.)

When I was in my 20s (in the 60s),  I searched for a word that would apply to me. Males had the word ‘guys,’ but ‘girls’  just didn’t seem appropriate.  (“Lady’ never entered the picture.) So I was very happy when the women’s movement encouraged me to use ‘woman’ to refer to myself,  though it was a bit hard to say at the very beginning.  Getting back to “How to be a lady”…  I guess it doesn’t apply.

to create this spread:

And this ad:

combined with one of the original book pages to create this spread:

Opening night is April 21st and the show runs until May 26th. There is a reception on April 21st from 5-7 p.m. And a talk by Donna Seager from 4-5 p.m.

Hope to see you there!

~Ginger

www.gingerburrell.com