Tag Archives: www.gingerburrell.com

You’ve Come a Long Way, Baby

This is a new artists’ book, You’ve Come a Long Way, Baby, that was inspired by an ashtray I found in my grandma’s things after she passed away. You can see the ashtray, open, in the middle, with the little flip book in it. The ashtray, called a Silent Butler, was named after the device used in the late 1800s to collect table crumbs and ashes.

I found the little ashtray interesting and decided to make a book to go in it. One thing led to another and pretty soon there were two books and a custom matchbook that go inside a vintage purse.

The matchbook has a vintage ad on the back and stats on the front about a depressing term called YPLL. Years per life lost. In the case of smokers, the CDC estimates YPLL of 12 years per person.

The cigarette pack has the accordion book inside with vintage advertisements, aimed at women, from the early 1900s to the 1970s juxtaposed with passages from medical books from the same timeframe as the ads. There is a paragraph from a 1960’s era medical book that informs ladies that, although they probably won’t feel like smoking for the first three months of their pregnancies, they’ll be fine to resume in the next trimester.

The book in the Silent Butler ashtray is a flip book with a girl about the age my grandmother was when she started smoking. She is holding a cigarette and as you flip the pages her lungs change from pink to an unhealthy shade. It ends, perhaps a bit melodramatically, with a gravestone.

The last element is a handkerchief I made using printable cotton. It’s quite lovely and took the inkjet printing very well. It has the colophon printed on it along with a dedication to my grandma, Virginia Elizabeth Ginn.

Ode to Anna Atkins

Ode to Anna Atkins is a new artists’ book that I’ve just released. I was fortunate enough to see Anna Atkins’ book, British Algae, while I was in New York. Though made in 1843, the images are still clear, beautiful and delicate. I was thrilled with Anna Atkins book when I first saw photos of it in Art History.  Having the opportunity to actually see it in person – a highlight of my trip to New York.

Empire State Building? That’s nice, honey. Oh, look! Cyanotypes…

My artists’ book is an ode to Anna Atkins using cyanotypes of flowers of Northern California. I just couldn’t get excited about algae. I showed it for the first time last weekend at Roadworks at San Francisco Center for the Book. Everyone loved the tiny little details visible in each cyanotype. The trick, press and dry the flowers first. Fresh flowers have too much dimensionality and create shadows in the cyanotypes. Very flat, very dry flowers are as effective as a digital negative.

The mottled background was very popular, too. I thought a clean blue background would be too one-dimensional with the flat white so instead of applying the cyanotype solution in a meticulous bi-directional two layered process, I used a sponge brush, only brushed in one direction and let the  solution pool slightly in some areas. It looks a bit blotchy in the photo, above, but the actual cyanotypes have more of a subtle morphing of color between areas. I’ve made 3  complete books out of the edition of 10 so I’ve got a lot more cyanotypes to make. Fortunately I love the process and the sound of the water while rinsing the images. It’s kind of like having one of those little fountains in the kitchen – it just happens to have photos in it.

This is a good time, too, to thank Brian Taylor, my alternative processes professor from SJSU, whose enthusiasm for cyanotype was the beginning of my own.

It’s always nice to be noticed!

A nice mention from Nancy Ewart of the SF Examiner today about EYES at the Olive Hyde Gallery in Fremont. http://www.examiner.com/museum-in-san-francisco/book-arts-sf-and-environs

Haven’t seen the Olive Hyde show yet? Make some time – Bay Area Book Artists are amazing and you’ll see some of their best work here. http://www.olivehydeartguild.org/exhibits_baba10.html