Things I Learned at “Camp” This Year

I spent the last week reconnecting with my parents in a way that I appreciate more and more as I (and they) get older. I had the added pleasure of  bringing with me my niece, Amelia (7) and nephew, Colin (two weeks from 11). My brother, Bryce and his wife, Melanie, get a week “off” and I get a week to really enjoy the kids. The crowning glory is the stone fruit, fresh corn and tomatoes that peak in the central valley this time of year.

Our daily routine went something like this:

  • Apply sunscreen to wiggling kids who are still chewing their last bite of breakfast but are too excited to wait.
  • Sit next to the pool, in the shade, cold drink in hand, chatting with my mom while watching the kids perfect their cannonballs.
  • Help the kids make lunch. Try Colin’s “special” tuna and wonder how his stomach survives his marvelous (but curious) culinary experiments.
  • Sit with the kids and kibbitz on their computer games (at my parent’s house computer games are a group activity). Help Amelia rescue kitties in her favorite game.
  • Spend an hour resting, reading or sleeping. (When I ask Colin why his feet are by my head in the bed he matter-of-factly tells me he is stretching.)
  • Head back to the pool, this time IN the pool splashing the kids in between laps. Marvel that just a short time ago Amelia could barely swim across the short side of the pool and now she can swim the length without pause.
  • Make dinner. Insist that if the kids have room for cookies they definitely have room for salad and that the last bite of tomato really won’t kill them.
  • Throw the frisbee for my dad’s scary smart shepherd-border collie mix, Pepper. Enjoy the cool evening and glowing sunset.
  • Cuddle up with the kids and a book or TV. 
  • Wonder how parents, especially artists with children, ever get anything done besides make sure the kids are safe and well fed.
  • Kiss, hug and tuck in the kids. Fall into my own bed and fall asleep.
  • Repeat.

While driving home to San Jose, I was thinking about what spending a week in Hanford with my family taught me. I realized that, more than anything, having time to hold still and rest refocuses the mind on lessons we already know but often ignore.

Lesson # 1 – Don’t rush art to meet a deadline (or fruit to market).

I’m sorry to say that the my artists’ book using a family quilt was not ready for the 23 Sandy Gallery Uncommon Threads deadline. I worked on the book and was trying to get it finished on time and then realized I was rushing it. I was making decisions based on what I could get done quickly, not on what the book needed. A week of eating perfectly ripe fruit – picked from the tree when ready – not when the market demanded, reminded me that things have a natural timeline. Including creating new artwork.

[As a side note – if you’re going to/through or near Hanford, California, I highly recommend Cody’s Fruit Stand on 13th Avenue. The people are always nice and the fruit is drip-down-your chin perfect.

And the corn from the First Fruits Stand on 12th. Sold every morning to cars that line up to buy bagfuls and always sold out by noon. After your first bite of this corn you’ll be lined up every morning, too.]

Did you have time off this summer? Did you learn any lessons to apply to your art making?

Up next: Lesson # 2.

~Ginger

www.gingerburrell.com

Off to Camp!

I’m off to camp! Each year I spend a week with my mom and dad and my niece and nephew. I think of it as Camp Gramma and Gramps.

We swim, we rest, we read, we hug a lot. We eat Gramma’s yummy cooking and Gramps spoils us with donuts from a donut shop that has the best bearclaws ever. My dear, sweet husband stays home (where he’s enjoying the peace and quiet) and takes care of real life and our spoiled cats so that I can have this time with my family.

So, as I pack my camera and my laptop (the deadline for Uncommon Threads at 23 Sandy Gallery is right after I return) I am being grateful. Grateful for my husband and my parents. Grateful that my niece and nephew still want to play with their Auntie. And, grateful that I have a career that allows me to play summer camp.

What do you do to relax and rejuvenate?

See you in a week!

~Ginger

www.gingerburrell.com

Turning it 90 degrees: Why Having a Community of Artists Matters

You may remember how I got stuck on making the titles using embossing powder and how a visit to the Maker Faire helped me gain a new perspective: Turn it 90 Degrees.

Well after a visit with a friend and fellow artist, Don Drake of Dreaming Mind Bindery, I’ve had another 90 degree moment. This time provided by Don, “Use straight PVA.”

I do use straight PVA, but never for covering boards. I was taught to use some combination of PVA and methyl cellulose for workability and drying time and, quite honestly, I didn’t have a good understanding of what I was doing by adding the methyl cellulose – I was adding moisture/water.

So Don and I were chatting about my new quilt book (still in progress) and the covers that I’d done so far. I wasn’t happy with the way there was some glue bleed through (see original post and photo) and when Allison, via comments to the blog post, asked if I considered making the quilt pieces into book cloth I thought, “Doh! Why didn’t I do that?”

Fast forward to a conversation with some artist friends about the best way to make book cloth from the quilt pieces and Don asks me, “Why don’t you use straight PVA?” Well, because you don’t use straight PVA  on book covers, right? Don pointed out that the bleed through was because of the moisture in the methyl cellulose and maybe some from the PVA. He recommended that I try straight PVA wet and, if that didn’t work, roll the PVA on the board until it was tacky and almost dry and then use heat to reactivate it to glue on the cloth.

I haven’t actually tried to glue the quilt with the straight PVA yet, I’m still working on the content of the book, but I did try it on the covers for the most recent copies of The Heaven Project. What a dream! The paper I use for the covers is lovely but moody and when I switched from the PVA/methyl cellulose mixture to straight PVA (wet) – wow! The paper was happy, I was happy, and my covers are beautiful.

My conversation with Don reminded me that I need to get to know my materials better and not just do what I’ve been taught to do. Mix it up a bit. Try straight PVA. It also reminded me that having a community of artists to toss ideas around with and to ask questions of makes all the difference.

Do you have a community of artists to collaborate with? A great place to start is with the Book Arts Web. Join the list serv and you will instantly be part of a world-wide community of artists.

Do you have a local group? If so, make the time to go. I know, you’ll never have enough time in the studio and it’s tempting to hunker down on your own. But chatting with other artists who have the same challenges you do, who have knowledge that you don’t, who are enthusiastic about art – it is worth the time for your art and your soul.

My local group is the Bay Area Book Artists. If you live in the San Francisco Bay Area, you are welcome there, too! Can’t find a group in your area? Email the Book Arts Web, ask if anyone knows of a group near you. Contact your local college and see if they can refer you. Take a local art class and make a friend. Find just one other artist near you and have lunch once a month. Invite artists as you go and pretty soon you’ll have your own group.

Feel free to post links to your local groups in the comments section – the more the merrier.

~Ginger

www.gingerburrell.com