Category Archives: Business of Art

Paper Dolls at Marin MOCA – 6th Annual Altered/Artist Book Show

I’m very tickled to share with you that Paper Dolls was awarded 3rd Place in this year’s (2015) judging by Donna Seager!…

Ginger Burrell - Paper Doll - Small Images for Web (3 of 8)

I participate in the Marin MOCA show each year with the idea that altered books can and should have the same standard of quality, content and detail as any artist book.

I entered the first year thinking that making an altered book was so different from how I usually worked that it would be a good stretch for me as an artist. To my surprise, over time, my experience in making books for Marin MOCA has influenced my regular art practice resulting in such titles as Reliquary, Dear IRS and Breathe for Those Cannot.

Ginger Burrell - Paper Doll - Small Images for Web (1 of 8)

This year’s altered/artist book entry, Paper Dolls, began as a feminist manifesto about the role of women in society past and the ever-present attempts to return women to that role. In the entire book, The Complete Book of Sewing by Constance Talbot (1943), there was only one photograph of a man sewing and he was listed as THE expert.

Ginger Burrell - Paper Doll - Small Images for Web (5 of 8)

Over time, however, Paper Dolls became a sentimental journey through my childhood. As I wrote the poetry, I realized that so much of how I make art now was influenced by the time I spent then with my mother imagining, designing, and creating clothing. Every trip to the fabric store was a lesson in color theory, textures, and attention to detail. Sensory memories of whispery pattern paper, the whirring sewing machine and being pricked with pins, still in the garment, began to rearrange my ideas.

Ginger Burrell - Paper Doll - Small Images for Web (8 of 8)

Ginger Burrell - Paper Doll - Small Images for Web (7 of 8)

Ginger Burrell - Paper Doll - Small Images for Web (6 of 8)

The finished book is multi-layered with poetry printed on cotton patterned fabric, pages made of layered pattern paper, and pages of the original book. The altered/artist book is sewn both by hand, with Coptic binding, and also by machine, through the cotton and paper pages.

Ginger Burrell - Paper Doll - Small Images for Web (4 of 8)

I am fascinated with technology and enjoy incorporating the digital with the traditional book form in a way that serves the book’s content. In the one copy for Marin MOCA,  Paper Dolls features a digital frame which plays a fashion show of pattern packets with women’s clothing from 1900 to the 1970s. This theme is further expressed with inclusion of cut-out paper dolls presented in the “sewing” box with the finished book.

Ginger Burrell - Paper Doll - Small Images for Web (2 of 8)

 

~Ginger

PS. Mom, I love you!

http://www.gingerburrell.com

 

 

 

Codex Finds 2015 at 23 Sandy Gallery

E-Card-CodexFinds

It is an honor to have been invited by Laura Russell to participate in Codex Finds 2015. I have 3 books in the show, Twenty Six Charging Stations, Birth/Control and Public Privacy.

Get yourself a cup of coffee or tea (or, if it’s late enough, a glass of wine) and spend some time perusing the beautiful full color online catalog. Even better, if you can get there between March 25 – April 25, 2015, stop by the gallery and enjoy the artists books in person.

~Ginger

http://www.gingerburrell.com

Book Power Redux at 23 Sandy Gallery in Portland

Book Power Redux copyright 23 Sandy Gallery

We had the pleasure of traveling to Portland last weekend for the opening of Book Power Redux at 23 Sandy Gallery. I’ve known Laura Russell, owner of 23 Sandy, since the beginning of my career as a book artist but had never had the opportunity, until now, to see the gallery. It is a lovely, light and airy space with a lot of good display opportunities and, of course, you get to chat with Laura, which is always educational.

I’ll tell you about the book show in a moment, but first I have to share a dining tip from Laura – The Screen Door restaurant.  Laura was not exaggerating when she said they have “fried chicken so good it will make you cry.” Greg thought it was more than worth the hour wait and I guarantee that this will be a “must go” every time we are in Portland.

Speaking of Portland, we fell in love with it. I have several blog posts worth of art info to share with you but today I’ll start with the show:

Book Power Redux is an interesting and disconcerting combination of beautifully made artists books carrying difficult messages.  It is one of the strongest shows I’ve seen in a while both in terms of content and artistry.  I am honored to have two of my pieces, Sandy Hook and Assume the Position, included.

Laura has put together a full color catalog of the show and I encourage you to purchase and peruse it. At $25 it is far cheaper than a trip to Portland and well worth the artists’ statements and photographs. You can also purchase the individual works directly from the 23 Sandy Gallery website which is pretty darned slick!

Many of the works stood out for us (I went with my husband, Greg, and our dear friend, Steve, a photographer who lives in Seattle).  I encourage you to wander through the website and experience each book. Here is a quick link to be able to access all of the books easily. Here are a few to get you started (Sorry there are no photos here, please click-through to see the imagery):

my not so ordinary life by Christine Wagner is  delicate, elegant and painful to read. This artists’ book describes her experience with domestic violence and left me appreciating her willingness to share such a difficult story, her juxtaposition of delicate and pretty materials with brutal language, and with the sense that I am tremendously fortunate to not be able to relate directly.

Like most of the work created originally for the Al Mutanabbi project, Sunt Lacrimae Rerum by Amaranth Borsuk is powerful and moving. Her use of laser-cut text, that tears away each time the book is opened, is simple and just so.

Ten Little White Folk by Shawna Hanel had only one downside. It is a unique work and was already sold by the time the show opened. Greg and I would like to have this witty and well-done book in our collection.

Why You Can’t Get Married by Nava Atlas uses the format of a wedding album to “demonstrate how the very arguments used to oppose interracial marriage in generations past have been recycled for use against same-sex marriage.” While Greg and I can relate to this personally, as our marriage would have once been illegal, it is also the artist’s choices of imagery, text and format that really spoke to us.

Did you see the show either in person or online? Please feel free to post your recommendations in the comments.

~Ginger

http://www.gingerburrell.com