Tag Archives: Donna Seager

Paper Dolls at Marin MOCA – 6th Annual Altered/Artist Book Show

I’m very tickled to share with you that Paper Dolls was awarded 3rd Place in this year’s (2015) judging by Donna Seager!…

Ginger Burrell - Paper Doll - Small Images for Web (3 of 8)

I participate in the Marin MOCA show each year with the idea that altered books can and should have the same standard of quality, content and detail as any artist book.

I entered the first year thinking that making an altered book was so different from how I usually worked that it would be a good stretch for me as an artist. To my surprise, over time, my experience in making books for Marin MOCA has influenced my regular art practice resulting in such titles as Reliquary, Dear IRS and Breathe for Those Cannot.

Ginger Burrell - Paper Doll - Small Images for Web (1 of 8)

This year’s altered/artist book entry, Paper Dolls, began as a feminist manifesto about the role of women in society past and the ever-present attempts to return women to that role. In the entire book, The Complete Book of Sewing by Constance Talbot (1943), there was only one photograph of a man sewing and he was listed as THE expert.

Ginger Burrell - Paper Doll - Small Images for Web (5 of 8)

Over time, however, Paper Dolls became a sentimental journey through my childhood. As I wrote the poetry, I realized that so much of how I make art now was influenced by the time I spent then with my mother imagining, designing, and creating clothing. Every trip to the fabric store was a lesson in color theory, textures, and attention to detail. Sensory memories of whispery pattern paper, the whirring sewing machine and being pricked with pins, still in the garment, began to rearrange my ideas.

Ginger Burrell - Paper Doll - Small Images for Web (8 of 8)

Ginger Burrell - Paper Doll - Small Images for Web (7 of 8)

Ginger Burrell - Paper Doll - Small Images for Web (6 of 8)

The finished book is multi-layered with poetry printed on cotton patterned fabric, pages made of layered pattern paper, and pages of the original book. The altered/artist book is sewn both by hand, with Coptic binding, and also by machine, through the cotton and paper pages.

Ginger Burrell - Paper Doll - Small Images for Web (4 of 8)

I am fascinated with technology and enjoy incorporating the digital with the traditional book form in a way that serves the book’s content. In the one copy for Marin MOCA,  Paper Dolls features a digital frame which plays a fashion show of pattern packets with women’s clothing from 1900 to the 1970s. This theme is further expressed with inclusion of cut-out paper dolls presented in the “sewing” box with the finished book.

Ginger Burrell - Paper Doll - Small Images for Web (2 of 8)

 

~Ginger

PS. Mom, I love you!

http://www.gingerburrell.com

 

 

 

What is It Like to Be the One Jurying a Show?

Excitement, validation, elation, these are just a few of the emotions we feel when our artwork is chosen for a juried show.

I really remember the first time my work was selected for a show at Chicago’s Women Made Gallery titled “From Sham to Shame.” King George was one of my first artists’ books and my teacher, Tess Sinclair, recommended that I enter. When I got the “congratulations” email, I couldn’t believe it. Somehow having my work chosen was  validation that my work was “real” art. It had to be, since a gallery liked it, right? I think I called everyone in my family – twice.

I also remember the first “thanks but no thanks” response that I got. Wow, was that a let down. Ironically, it was from the gallery I’m about to tell you about. In hindsight I understand that: 1. it was not my strongest work; 2. sometimes the work you submit doesn’t fit with the juror’s vision; and 3. sometimes there are more entries than the gallery has room for.

In the interest of full disclosure: I am a huge fan of Laura Russell, owner of 23 Sandy Gallery. She taught the first book arts class that I ever took and is largely responsible (together with a great experience at Donna Seager Gallery’s annual The Art of the Book show) for my becoming a book artist. I also love her artists’ books, especially, Colfax Day and Night. And, I appreciate her generosity in both time and enthusiasm in helping artists be successful. Laura has given guest lectures to the Bay Area Book Artists (and I’m sure any book arts organization who has asked) and taken the time to help me with my business plan when I was studying for my BFA.

I recently emailed Laura asking if I could interview her for my blog about the jurying process and, by coincidence, on the same day, Laura published a blog entry of her own on exactly that subject: Behind the Scenes of Jurying an Exhibition.

And, while I’m at it, let me point you to some of my other favorite blog posts by Laura:

How to Get Your Artwork into a Gallery

Photographing Your Artist Books – Part 1, Part 2 and Part 3.

Have you entered your work into a show yet? How did it feel to get accepted? How did it feel to get a no thanks letter?

~Ginger

www.gingerburrell.com