Category Archives: Personal Stories

Creating (And Re-Creating) Habits

Squirrel (1 of 1)

I think one of the hardest, and most important, things we can do as artists is create habits and routines to support our art-making. I’ve been creating, trying and ultimately re-creating, trying and often failing, to create habits and routines as an artist for nearly ten years.

Ten years. Wow. It doesn’t feel that long ago that I was truly terrified of calling myself an artist, let alone leaving the office work world to work in a studio and classroom. Along the way I’ve discovered that I am a master of distraction, procrastination and, perhaps worst of all, perfectionism. If you’ve seen the movie, Up, you know what I mean when I say, “Squirrel?!”

I love squirrels. We feed several of them at our bird feeders each day. In fact, I created a squirrel feeder by re-purposing a rabbit… See, there I go. I’ve been meaning to write blog posts for months. I’ve written dozens in my head. But since they’re never as well written as I’d like, and I don’t have exactly the right photo to post, or Ellis wants to play, or the dishes need done or there is an artists’ book I’m avoiding in the studio, no blog posts.

To be fair, and as my dear friend Karen would tell me, to be kind to myself, I have had a bit of a distraction for the last year. Our niece, Marisol, has been living with us and it’s been our responsibility to help her successfully make the transition from junior in high school to college freshman. With any luck we’ve taught Mari some things and she’s definitely taught us. And, next Saturday, our year of homework, worry, taxi service, cajoling, reminding and loving is coming to an end. She’s moving to college. Okay, well the loving and the worrying, that definitely isn’t coming to an end. As we’ve told her we will always do those things!

So I have the opportunity to re-work my schedule and the responsibility to improve it. I need to put into practice all the things I’ve been teaching Marisol. Make and keep a schedule. Keep a calendar. Fulfill responsibilities first. Stay focused. Squirrel?

Step one. I’ve put on my calendar as a recurring event, “Blog Post” on Tuesdays. Oh, I’d love to write them twice a week. Even three times. And I’d like each to be beautifully illustrated and inspire you deeply as an artist. But as my perfectionist self knows, if I try to meet those standards up front, I’ll never post. Instead of one blog a week, I’ll post one blog a month. Or every six months. Or year.

So, one post a week. Here it is. Next week I’ll tell you about the book I’m reading and the other habits I’m trying this time. And how I did my best not to cry when I left Marisol in her dorm room.

~Ginger

www.gingerburrell.com

 

 

 

Paper Dolls at Marin MOCA – 6th Annual Altered/Artist Book Show

I’m very tickled to share with you that Paper Dolls was awarded 3rd Place in this year’s (2015) judging by Donna Seager!…

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I participate in the Marin MOCA show each year with the idea that altered books can and should have the same standard of quality, content and detail as any artist book.

I entered the first year thinking that making an altered book was so different from how I usually worked that it would be a good stretch for me as an artist. To my surprise, over time, my experience in making books for Marin MOCA has influenced my regular art practice resulting in such titles as Reliquary, Dear IRS and Breathe for Those Cannot.

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This year’s altered/artist book entry, Paper Dolls, began as a feminist manifesto about the role of women in society past and the ever-present attempts to return women to that role. In the entire book, The Complete Book of Sewing by Constance Talbot (1943), there was only one photograph of a man sewing and he was listed as THE expert.

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Over time, however, Paper Dolls became a sentimental journey through my childhood. As I wrote the poetry, I realized that so much of how I make art now was influenced by the time I spent then with my mother imagining, designing, and creating clothing. Every trip to the fabric store was a lesson in color theory, textures, and attention to detail. Sensory memories of whispery pattern paper, the whirring sewing machine and being pricked with pins, still in the garment, began to rearrange my ideas.

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The finished book is multi-layered with poetry printed on cotton patterned fabric, pages made of layered pattern paper, and pages of the original book. The altered/artist book is sewn both by hand, with Coptic binding, and also by machine, through the cotton and paper pages.

Ginger Burrell - Paper Doll - Small Images for Web (4 of 8)

I am fascinated with technology and enjoy incorporating the digital with the traditional book form in a way that serves the book’s content. In the one copy for Marin MOCA,  Paper Dolls features a digital frame which plays a fashion show of pattern packets with women’s clothing from 1900 to the 1970s. This theme is further expressed with inclusion of cut-out paper dolls presented in the “sewing” box with the finished book.

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~Ginger

PS. Mom, I love you!

http://www.gingerburrell.com

 

 

 

Codex Finds 2015 at 23 Sandy Gallery

E-Card-CodexFinds

It is an honor to have been invited by Laura Russell to participate in Codex Finds 2015. I have 3 books in the show, Twenty Six Charging Stations, Birth/Control and Public Privacy.

Get yourself a cup of coffee or tea (or, if it’s late enough, a glass of wine) and spend some time perusing the beautiful full color online catalog. Even better, if you can get there between March 25 – April 25, 2015, stop by the gallery and enjoy the artists books in person.

~Ginger

http://www.gingerburrell.com