Tag Archives: studio

“How To” Books That Deserve Shelf Space #2

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The studio is getting cleaner, but I’m still far from done. I’m afraid I’m having to undo years of bad stashing habits. Creating new strategies and new systems is taking longer than I’d like. I am, however, determined not to stash anything this time around.

In the meantime, here are the second five books that have earned shelf space on my new, cleaned out, bookshelf.

As a reminder, my criteria for a book staying include one or more of the following:

  1. Unique binding ideas
  2. The best photos and instructions for a particular binding
  3. A gallery of book examples with outstanding artists books.

In case you’re wondering about the first five, here are the “How To” Books That Deserve Shelf Space #1 from last week’s blog post.

This week’s five:

Making Books by Hand by Mary McCarthy and Philip Manna

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This book has outstanding diagrams and clearly labels everything. Excellent for a beginner and a good reminder for experienced artist. There are also several box structures that I find useful such as this portfolio, below. Apologies for the bad photo, the glossy black page and my studio lighting were not making friends, you get the idea.

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Books Unbound by Michael Jacobs

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This book is probably in my top 5. It does not have the clearest instructions and he does not use the best materials, but Michael Jacobs approaches bookmaking from a sculptural standpoint and the books and boxes he creates are truly unique.

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The Matchbox Marvel, above, is typical of his enthusiasm to combine book structures and boxes into interesting shapes and variations. His Specimen Book, below,  is one of my favorites. I’ve made this as a gift a few times. It is always a hit. A wonderful way to highlight a treasured (small) item.

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Also in my top 5, Making Handmade Books: 100+ Bindings, Structures & Forms by Alisa Golden

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This book is the most comprehensive on my shelf. If you’re only going to own one “How To” book on making handmade books – this is it. From basic accordion books to basic pop-up and move-able books, you can find something here to fit your ideas. If if you use scrap materials and patience, you can teach yourself any of these bindings or boxes.

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235 pages of instructions, diagrams and ideas!

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You’ll notice the next two books are also by Alisa Golden. There is a lot of overlap with the Making Handmade Books, above. Virtually all of the instructions and diagrams from the next two books are in the 100+ book. So… I wouldn’t recommend buying them, too. Unless you find them for a great price. What makes them worth having are the gallery/example photos that are not in the Making Handmade Books. I’m still debating whether they have enough value to stay on the shelves. But for right now they’ve earned a spot. When that shelf begins to overflow again, these are the first two I’d reconsider.

 

Unique Handmade Books by Alisa Golden

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Creating Handmade Books by Alisa Golden

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One more set of five to finish out that shelf and then we’ll move on to some other topics. In fact, I’m looking forward to my husband, Greg, writing some guest posts. One on lighting, which we’ve just redone in my studio and one on what it’s like to be in his role as a support system and collaborator for an artist.

You may have noticed that I haven’t talked about the Pop-Up “How To” books in that shelf cubby. I’m saving that discussion for November when the Pop-Up Now Exhibition opens  at 23 Sandy Gallery.

Do you have a “How To” Book  in your studio that I should have in mine? Give me some of your recommendations in the comments!

~Ginger

http://www.gingerburrell.com

 

Cleaning the Studio Between Trips

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As I mentioned last week, we were off to Tucson for funeral. We went to show our respect and mark the passing of a man important to Greg and our family. Mike Enis was somehow related to Greg and his dad, although we couldn’t really tell you how. More importantly, Mike Enis was kind and welcoming and had terrific stories. He was also a wonderful father, grandfather and great-grandfather, a political activist, and a cultural historian and language teacher for the Tohono O’odham people. Mike also helped create a contemporary type of music particular to the southern Arizona desert, Chicken Scratch. It was an honor to have known Mike Enis.

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While in Tucson, we visited family, including our niece, Diana, who just started college at the University of Arizona. We were glad to get to see her sooner than expected, even if it did involve getting up at 4 a.m.!

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We also enjoyed some Indian Fry Bread (some of the best we’ve ever had), at “Indian Fry Bread Manna From Heaven” on St. Mary’s Road in Tucson.

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A trip to the Desert Museum in Tucson was inspiring both in terms of its beauty

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and also for this tree, which gave me some new artist book structure ideas. Can’t you just see this as a central binding structure with leaves/pages/books?

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And two more pieces of inspiration, the first, a statement by a young artist on the Tohono O’odham reservation about why he uses graffiti art. “Graffiti Art is not bad it is art. Graffiti Art is not tagging. Tagging is not art. Graffiti Art is a way for the next generation of our kids to carry on what makes us a tribe, what makes us “us.””

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And the second, a mosaic, in the Tucson airport. Dora, this made me think of you!

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And we’re off to the airport again for a trip to Virginia, this time for a wedding.

In the meantime, I decided that habits are useless without a usable work space. I’m terribly embarrassed to admit it, but this is what my studio looked like as of last Sunday.

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It is an archaeological dig/representation of the projects, classes, and ideas of the last year. In between caring for Marisol and keeping our day-to-day lives running, I met deadlines and got projects done, got organized for classes, and more on a just-in-time basis.

I am a packrat, I love keeping things “just in case,” and I have never met a scrap of paper I don’t love and need to keep. But enough is enough. I’ve filled bags full of things to donate and I’m being rather harsh about what has to go. I can’t create good working habits if I don’t have room to work. So this week is step 1. Clean out.

I’m still reading the organizing/habits book. It will go with me on the next airplane ride. And next week, I’ll show you the “after” photos of the studio and share about our trip to Virginia.

Hey look. Three blog posts in a row. This is starting to look a bit like a habit!

Are you a packrat? What determines whether or not something is valuable enough to take up space in your studio? Comments are welcome!

~Ginger

http://www.gingerburrell.com

 

 

It’s a Sidewalk! Or a Pathway, or a Walkway, or…

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For a year and a half we’ve hopped from stepping stone to stepping stone, tip-toed across sheets of plywood or made running jumps across trenches. Finally, we’ve got a mud-free, trench-free way to get to the studio! Of course the kids miss the trenches and the tenuous plywood bridges, but I’m happy to have a solid way to get from the gate and house to the studio!

Sergio and his crew did a great job …

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I’ve always wanted to put our initials in fresh concrete – this time it was allowed!

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I’m restarting teaching classes in the studio in December. Why don’t you bring some friends, take a class and try out the new pathway…

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~Ginger

http://www.gingerburrell.com